The Golden Temple - Amritsar

The most famous of Sikh monuments is the Golden Temple at Amritsar. It contains the Darbara Sahib, a hallowed place built on a small island in the middle of a pool. Erected at the end of the 16th century, it was ornamented and covered with gilt in 1802 by Ranjit Singh.It contains no shrine. It is the sacred book Guru Granth Sahib that is in the seat of honour. Patna Sahib, Sri Kesargarh Sahib (Anandpur, Punjab), Sri Huzur Sahib, and Damdama Sahib (Nanded, Maharashtra) are other such holy and important places.

Konark- Orrisa

Konarak is a small coastal place about 33 km from Puri and 64 km from Bhubaneswar, the capital of the State of Orissa. Its famous Suryamamndir ( Sun Temple) was built in the 13th century and lay half-hidden under the sands till 1904.The temple, built to commemorate a military victory, was conceived as a chariot for Sura, the Sun God. There are 24 gigantic carved-stone wheels around the base of the temple, and 7 horses pulling at it.
All over the huge temple is laden with carvings, sculptures, figures and bas-reliefs. The main entrance is guarded by two stone lions crushing elephants. Horses strain on either side as steps rise to the main entrance. There are three images of Surya , so constructed as to catch the sun at dawn, noon and sunset. Between the main steps and the entrance enclosure, there is a dancing hall. Elephants and horses trampling on men add to the awful majesty of the temple.
Beginning at the base of the temple, and going up to the walls and roof is a continuous series of carvings, some minute and some gigantic, mostly of men and women in erotic postures. There is said to be a philosophical basis for having so much eroticism displayed on the external surface of the temple, especially at the base and the middle. It is that Spiritualism is at the core and on higher levels

Basilica Of Bom Jesus - Goa

The Basilica of Bom Jesus was started in 1594 and completed in 1605.A simple monument, not plastered on the outside, it has richly gilded altars. It contains the tomb and mortal remains of St.Francis Xavier who had first arrived in Goa in 1542 to spread Christianity in the Portugese colonies of the east. Even though he had died on 3 December , 1552 in Sancian Island near China, his body was found undecayed in 1554, when it was sent to Goa. After he was canonised, his body was removed to the Basilica of Bom Jesus. Every year a festival is held in Goa on the anniversary of St Xavier"s death, and thousands of pilgrims flock to the Basilica. Every 10 years, the body is exposed to public view on the death anniversary, the next occasion being 2004.The Duke of Tuscany underwrote the construction of the Tomb of St Francis, and Giovanni Batista Foggini, the sculptor from Florence, executed it.10 years were required for its completion, which came in 1698. The bodily remains of St Xaviers are in a silver casket(once, a bejeweled one). Surrounding walls contain murals depicting scenes from St Xavier"s missionary journeys. Next to the Basilica. There is the Professed House, a two-storeyed laterite building covered with lime plaster. The Jesuits opposed its construction but it was completed in 1585. Partially burnt in 1663, it was rebuilt in 1783

Dhamekh Stupa- Sarnath- Bhiar

Ancient Sarangnath or Sarnath also known as Mrigadava (deer park), only 8 kms. away from Varanasi in Uttar Pradesh. He set the great "Wheel of Law" (Dharmachakra) in motion here, more than 2,500 years ago by revealing to the world his Eight fold path - the path to end sorrow, achieve inner peace, enlightenment and ultimate Nirvana. The region once housed 3,000 monks.
Remains of the Dharmarajika Stupa set up by Asoka; his Sarnath pillar edict and ruins of temples and monasteries and the spot where the Emperor meditated in seclusion; takes one back to the heydays of the Mauryan empire. The remains of an ancient monastery can still be seen here.

Bibi Ka Makabra- Aurangabad
Bibi Ka Maqbara is the tomb of Begum Rabia Durani, wife of Emperor Aurangazeb. The monument is an excellent example of Persian Architecture. The arched aclove surmounted by a swelling dome, the idea had acquired its own reputation in India. This is also popularly known as "Mini Taj Mahel". Located in Aurangabad in the state of Maharashtra, it makes excellent iternity with Ananta and Elora caves in the Aurangabad.

Fort of Bidar - Maharashtra
Palaces, pavilions and seraglios ; lush gardens, decorated fountains and perfumed baths have all the trappings of an Arabian Nights fantasy when Bidar was ruled by the Bahamanis and the Barid Shahi Sultans of the Deccan.
The main gateway to the magnificent Fort of Bidar was originally built by Bahamani Sultan Ahmad Shah Wali in 1429. Further improvements to the citadel were carried out by the Barid Shahi Sultans. Ahmad Shah Wali (1422 - 35) the ninth Bahamani Sultan decided to shift his capital from Gulbarga to Bidar for reasons of health. Sprawled on a plateau 2,200 feet above sea level and overlooking the Manjira River Valley, cool and exhilarating Bidar was most certainly a part of ancient Vidharba mentioned in the Mahabharata. The main gateway to the magnificent Fort of Bidar. Built by Bahamani Sultan Ahmad Shah Wali in 1429. In medieval times Bidar belonged to the Chalukyan branch who established their capital in 977 A.D. at Kalyani, 57 kms away. Falling to the Yadavas of Devagiri (Daulatabad) and to the Kakatiyas of Warangal in 1322 A.D., Bidar fully rose to prominence under the sultanate regime.

INDIAN MONUMENTS

Elephanta - Maharashtra
The southwestern side portrays the marriage of Shiva & parvati. The central figures are of Shiva the divine bridegroom, holding the right hand of Paravati. As the daughter of the mountains, she symbolizes the earth and stands demure and a little shy at she weds her divine partner. The portrait of Shiva is wonderful. His strong masculine figure adorned with handsome jewels and wearing a dhoti with a knotted sash presents a powerful contrast to the delicate form of Parvati exquisitely attired in her bridal finery. Brahma, the priest who joins these two together in matrimony, while Vishnu stands behind him as the best man wearing a elongated crown. On the other side in Chand, the moon god framed by a crescent halo, while the sky above is packed with hosts of heavenly beings that have gathered to celebrate the cosmic marriage of Shiva & Parvati.

Rockcut shrines - Ajanta
The ancient Buddhist caves of Ajanta bequeath to us a threefold artistic heritage. Havell, a leading art historian early in this century, had this to say about them. Very rarely in the world`s history has there come together that true symphony of the three arts: painting, sculpture and architectonic design, creating the most perfect architecture, which are so beautifully harmonised at Ajanta. The story of Ajanta is fascinating. Sometime in the second century this rugged horseshoe-shaped cliff, carved out by the Waghora river, was chosen to be the site of a great Buddhist establishment. Buddhist monks or artisans sculpted out shrines for prayer (chaitya halls) and monasteries for their stay (viharas). The next phase began around the fifth century AD with chaitya halls and viharas for monks of the Mahayana sect who portrayed in their paintings and sculptures images of the Buddha, their spiritual teacher and guide. The Buddhist order lived and� and sustaining themselves on the fruits of the forest and donations made by wealthy patrons. The caves once had steps and pathways that led to the meandering river shimmering below, and it is from here that the monks obtained their supply of water. The volcanic rock of the Deccan plateau, rich in minerals, provided the colours for the paintings: ochre reds and yellows, lamp black, lime for white, and lapis lazuli from distant lands for touches of brilliant blue. The rooms, after they had been roughly hewn, were coated with layers of plaster mixed with hay and husks to bind the mud to the ceilings, pillars, and walls. Then paint was applied on the entire expanse, not on wet plaster, as in the technique of fresco painting, but on a semi-dry surface. The caves were carved out of the solid face of the hillside, sculpted with pillars, rooms and images, and painted almost` simultaneously. Then for no apparent reason the caves were abandoned for several hundred years.

LOHRI
The Fire Festival Lohri falls on January 13 every year. Considered the coldest day of the year, Lohri celebrations are marked by the lighting of bonfires. Celebrated in Punjab, Haryana, Himachal Pradesh, parts of Jammu and Kashmir, and Delhi, Lohri occurs in the month of Magha and falls on January 13 every year. It marks the end of the long and arduous winter. According to Hindu mythology, a year represents a 24-hour period in the life of the gods. The first six months represent the day, which is considered auspicious, and the second half the night, which is inauspicious. Lohri marks the last day in the night of the gods and is succeeded by Makara Sankranti, which welcomes the sun back to the northern hemisphere. This festival follows the solar calendar and also celebrates nature in all its bounty. Lohri occurs at a time when there is nothing to be done in the fields. The overworked farmers therefore take time off from their lands to enjoy and make merry. Since this day is traditionally considered the coldest day of the season, people collect in the evening around a bonfire made of dried hay and leaves to sing and dance. Bhangra and Gidda are the most popular dance forms. Special Lohri songs are also sung. In villages, the Lohri mood builds up over a week. Young boys and girls go from door to door, singing special Lohri songs and collecting gifts and money from residents. In the evenings, people gather to drink country liquor and celebrate. Two days prior to the festival, twigs and logs, dry leaves, hay, and paper are collected and placed in an open area away from the houses and barns. This is in preparation of the Lohri bonfire, the central event of the festival. Sometimes donations are accepted from residents to buy wood from the market. On the evening of Lohri, the eldest woman of the family prays for its welfare and prosperity and for the community. An elder then ceremonially kindles the fire. Once it is ablaze, peanuts, sesame seeds, rewari, batashe, popcorn and other harvest produce are thrown into it. This is probably in thanks giving and to appease Arani Devi. Unmarried girls collect the nuts that escape the fire and eat them, in the hope of getting a good husband. The mood is upbeat and everyone sings and dances around the fire. The fire and the dancing provide respite from the biting cold. A newborn child`s and a bride`s first Lohri in her new home are very important. Friends and relatives are invited for the occasion. Both baby and newly wed are dressed up, a bride in all her finery wearing new clothes and jewelry given to her by her mother-in law. Kheer made with fresh sugarcane juice is a speciality on Lohri. Prayers are also offered to Arani Devi. In Himachal Pradesh, the festival is called Magli. This is the time when the Rabi crop has been sown, and there is little else to do. The farmers enjoy this temporary relief from their agricultural labour. A unique custom observed in Himachal Pradesh on Lohri is the slaughtering of a goat in every house. The goat, symbolic of fertility and prosperity, is fattened the whole year in preparation for its slaughter on Lohri.